Source: LINKcat
New York Times, 3/1/2023
In 1969, he published his first book — “Drat: Being the Encapsulated View of Life by W.C. Fields in His Own Words” — about the comedian with the bulbous nose and misanthropic screen persona who starred in films like “It’s a Gift” (1934) and “The Bank Dick” (1940).
It was the start of an unusual publishing career. Mr. Anobile went on to combine movie frames and dialogue in books that ambitiously reconstructed complete films, including “Casablanca,” “Psycho,” Stagecoach,” “The Maltese Falcon,” “Frankenstein” and “Play It Again, Sam.” He used the same formula to describe “verbal and visual gems” in the films of W.C. Fields, Laurel and Hardy, and the Marx Brothers.
He continued to publish into the 1980s, when he realized that people were more likely to watch a film on videocassette than experience it through a book-length, frame-by-frame reconstruction.
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