You can't click on the print edition of the Times.
Such casting can be more divisive in movies. DaCosta’s take on Ibsen’s play — the story of a headstrong, amoral Norwegian woman who does monstrous things to protect her privilege — becomes something quite different when Hedda is the queer, illegitimate Black daughter of a white general in 1950s England. Some reviews dismissed the casting completely, one calling it a diversity, equity and inclusion gesture “to flatter progressive Hollywood’s self-righteous delusion of its superior morality.”
Quote in the blog title is straight outta Wikipedia.

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